Movie Review: The Master

The latest masterpiece from director Paul Thomas Anderson (There Will Be Blood, Boogie Nights), The Master is an enthralling and enigmatic piece of film, featuring some of the greatest performances of the year. Returning from Navy service in World War II, Freddie Quell (Joaquin Phoenix) drifts through a series of PTSD-driven breakdowns, trying to find his stride in several small jobs until having a violent breakdown in the middle of a department store. Lancaster Dodd (Philip Seymour Hoffman), after returning from the Second World War, having witnessed many horrors, is a very charismatic intellectual who creates a faith-based organization in an attempt to provide meaning to his life. He becomes known as "The Master". Freddie becomes his right-hand man, but soon begins to question both the belief system and The Master as the organization grows and gains a fervent following. There really is no other way to summarize this film, as it truly has to be seen in order to be understood (so to speak). 

The first I will speak of this film are the incredible, virtuosic performances of Joaquin Phoenix and Philip Seymour Hoffman. Phoenix, making his acting return since his "set back" in the acting world a few years ago, makes an amazing turn as Dodd's right-hand man. Phoenix is at the height of his career in this role, changing himself both physically and mentally to deal with the intense source material. Playing a mentally deranged drifter, he plays very well off of Hoffman as Dodd, and takes in each bit of Anderson's source material. He is likely to get an Oscar nomination in the (very crowded) Best Actor category. Philip Seymour Hoffman, the title character, is also at the height of his career, which is saying a lot considering his other Oscar-winning roles. He is incredible as Lancaster Dodd, playing a role just as intense as Phoenix. Hoffman is a true performer, and is by far one of the greatest actors of this generation. He is a lock for the Best Supporting Actor Oscar nomination, and is currently in the lead for the win (his main opponent is Tommy Lee Jones in Lincoln). There is a scene earlier in the film, of just Phoenix and Hoffman, where Dodd is giving Freddie an "interview." This is probably the greatest scene in the movie, and is reason enough for both of them to win Oscars. Amy Adams also does very well as the wife of Dodd, Peggy, yet oftentimes gets outshined by the two leads. She should, however, get a Best Supporting Actress nomination. Another great aspect of this movie is the direction and writing of Paul Thomas Anderson. Anderson's writing is very smart, and keeps great pace throughout the entire film. His creative angle, bringing the most he can out of the talent of Hoffman and Phoenix is truly masterful. He is one of the greatest directors working today, and one of the best screenwriters. The look of the film, from the sets to the costumes, capture the post-war feel in a believable way. The score has also been another big talking point, using original and repetitive figures to create a sense of suspense and keep the intense feeling throughout the film. Overall, The Master is an incredible piece of film, at the same level of direction and performing of Anderson's last film, There Will Be Blood. It is one of the most original, confusing, yet satisfying films I have seen this year. A virtuosic motion picture if there ever was one. 

Rating: A

Possible Oscar Nominations:
Best Picture
Best Director- Paul Thomas Anderson
Best Actor- Joaquin Phoenix
Best Actor in a Supporting Role- Philip Seymour Hoffman
Best Actress in a Supporting Role- Amy Adams
Best Original Screenplay- Paul Thomas Anderson
Best Original Score
Best Cinematography

Movie Review: Beasts of the Southern Wild

Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink, in the Bathtub, a southern Delta community at the edge of the world. Wink's tough love from her father prepares her for the unraveling of the universe; for a time when he's no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack, temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink's health fading, Hushpuppy goes in search of her lost mother. She ventures through the Bathtub and beyond, both in water and on land, with a ragtag group of people form her community and her father. In the end, she learns the ways of the world, and through heartbreak and triumph, learns the secrets of the aurochs and her mother. 

This film is one of the most imaginative creations to grace the screen this year. The main talking point of the film is the incredible performance of 6-year old Quvenzhane Wallis. Wallis is a powerhouse, showing so much talent and emotion that she puts veteran actors to shame. She is currently one of the frontrunners for the Best Actress Oscar, and is a lock for at least a nomination. The supporting cast also does a great job, including Dwight Henry as Hushpuppy's father, Wink. Benh Zeitlin does an amazing directing job, from using the full potential of Wallis's performance to creating the set to mimic Louisiana during Hurricane Katrina. The film was very smartly written, mixing fantasy and a child's imagination with a life-changing catastrophe. Shot in actual parts of the slums in Louisiana, the film feels like a real imagining of what life would have been like during this time. When the movie first came out, it was one of the frontrunners for the Best Picture Oscar, but has since lost steam going into the nominations because of the release of some more widely-seen movies. Overall, this is one of the most original films to come along in quite sometime, led along by the masterful performance of the you Wallis. This is a movie that needs to be seen by everyone, if not just for the brave girl named Hushpuppy. 

Rating: A

Potential Oscar Nominations:
Best Picture
Best Actress
Best Adapted Screenplay
Best Cinematography (longshot)

Movie Review: Lawless

The three Bondurant brothers, Forrest (Tom Hardy), Howard (Jason Clarke), and Jack (Shia LaBeouf) run a bootlegging operation during the depression, up in the mountains of Franklin County, Virginia. They sell to everyone in need, including the law, and in turn are left alone to tend to their business. But soon enough, Special Deputy Charlie Rakes (played by Guy Pearce), shows up wanting a share of the moonshining profits, at risk to the brothers of exposing their business. Forrest is attacked in the escalating tension, almost losing his life in the process. He then hires Maggie Beauford (Jessica Chastain), to help run the house and bar that the brothers own. Jack then meets local mobster Floyd Banner (Gary Oldman) shooting a competitor in town, and they soon start a business venture to help deal with the increasing meddling of Rakes. The Bondurant brothers finally take matters into their own hand after Rakes kills their friend and partner Cricket, which finally leads to a climactic shootout where justice is dealt rightfully so. 

To me, this remains one of the most underrated films of the years. It boasted one of the greatest casts of the year, the standouts to me being the usual powerhouse performance of Tom Hardy as Forrest and the incredible turn of Guy Pearce playing Charlie Rakes. Shia LaBeouf also does very well, finally shedding his "good boy" image made through his role in previous projects such as Even Stevens and Transformers. Jessica Chastain is also beautiful as always, and the master Gary Oldman has a good albeit short role as Floyd Banner. The story, based of the non-fiction book "The Wettest County in the World," was well adapted from the source material, keeping all the fascinating parts of the moonshining business with extra bits of violence and action. The look of the film matched that of the depression/prohibition era, with the characters being well-dressed to fit their individual roles. Overall, this was a great movie, filled with good performances by an all-star cast, and enough action mixed with story to keep the audience entertained for the whole movie. One of the most underrated movies of the year. 

Rating: A-

My Love Letter to Cinema

If you know me, then you know I love movies. Films, pictures, whatever you may call them. I love them all. Movies are a huge part of my life, and if I could make a career out of it, I would (hence the reason I'm writing this movie review blog). It's a sad fact that there aren't many movie critic job openings out there. But I do it for fun, and that's enough for me. This, overall, has been a great, great year for the cinema. We saw the end to Christopher Nolan's epic Dark Knight Trilogy and the latest Paul Thomas Anderson masterpiece, so aptly titled The Master. We saw Joss Whedon pulling off the impossible in The Avengers, and a 6-year old actress gave one of the greatest performances of this generation in Beasts of the Southern Wild. And there is still so much to look forward to. The grand adaptation of Les Miserables, Denzel Washington and director Robert Zemeckis's  return in Flight, Quentin Tarantino's Django Unchained, Peter Jackson's latest foray into Middle-Earth with The Hobbit. The list goes on and on. Movies are so much more than just what people see them as. It's not just mindless entertainment. Movies are an art form. A great movie can have just as much emotional impact as a beautiful piece of music or a striking piece of art. And I wish that people would see film as such. This all sounds random, and out of place, I know. The theater is my home away from home. A place where I escape, and focus on the craft being displayed. Being in a theater is pure bliss for me. And this is my thank you. This letter is not expertly crafted nor does it contain a logical structure. It's a list of things I appreciate, and it means so much to me. Stay tuned, as I have tons of reviews to write in the coming months. Thank you for reading.

Movie Review: The Campaign

The Campaign, which teams up comedy dream-team Will Ferrell and Zach Galifinakis, is one of the funniest, yet most underrated comedies I've seen this year. Cam Brady, (played by Farrell, channelling his Ricky Bobby role), is a bumbling congressman that has ran unopposed for five terms. Marty Huggins, played by Galifinakis, is the local "town tour-giver," and is the patriarch of a traditional Southern Baptist family, who decides to finally challenge Cam to appease his fathers disappointment. So this brings us to all out war. Cam is caught up in a scandal (which is a blatant reference to Bill Clinton), which threatens to ruin his political career. Marty is blackmailed and then turned into someone who he is not comfortable with. Both opponents dig up old secrets and bring new ones to light. In the end, the right person wins, and both turn from opponents into friends and co-workers.

This film was filled to the brim with humor and great performances. Ferrell and Galifinakis are great together, mixing a perfect combination of Ferrell's slapstick and Galifinakis' quirkiness. They both have their fair share of scenes and one-liners, and they just blend together very well. There are some funny cameos by Dan Akroyd and a few other comedic classics. The writing was very funny and well paced, never dragging or lacking a fair share of humor. I believe some people just take this film too seriously, thinking that the jokes were silly and the performances just a little too wacky. I just think this film should be taken with a grain of salt. Just sit back and enjoy, laugh at the jokes (you know they're funny), and have fun. Galifinakis is charming as Marty, and I just think the movie as a whole deserves more credit than it has been given. A good movie to watch with buddies, for date night, or just to have a good laugh. It could have been a disaster, but it was not. And I respect it for that.

Rating: B+

Movie Review: ParaNorman

From the artists and directors who gave us Coraline and Corpse Bride, ParaNorman is a smart, funny, non-traditional family film satire on the horror genre, which also transcends the boundaries and expectations of animation in the process. In the town of Blithe Hollow, Norman Babcock is a boy who can speak to the dead, but no one besides his eccentric new friend, Neil, believes his ability is real. One day, Norman's estranged eccentric uncle tells him of an important annual ritual he must take up to protect the town from an curse cast by a witch it condemned centuries ago. Eventually, Norman decides to cooperate, but things don't go according to plan. Now, a magic storm of the witch threatens Blithe Hollow as the accursed dead rise. Together with unexpected new companions, Norman struggles to save his town, only to discover the horrific truth of the curse. 

This is just one of those films you must see in order to fully appreciate it. The animation overall was beautiful, seeming to combine the stop motion technique used in Coraline and Corpse Bride with the CGI setting of modern animation (used to greatest avail by Disney/Pixar). Everything from the construction of Blithe Hollow to each character is extremely detailed, and at times, there are great moments dedicated to just the scenery. The voice acting from the cast was very well done. Kodi Smitt-McPhee does well as the title character, and John Goodman, Christopher Mintz-Plasse, and Casey Affleck all give good supporting performances. The script is very smart and well-written, providing plenty of great moments for both children and adults. And above all, the film teaches us in a subtle manner the importance of family and friendship, and how anything can be achieved through both. A great film, and a serious contender for the Best Animated Feature Oscar. It's not just for kids, and I implore you to go see it. 

Rating: A

Movie Review: Safety Not Guaranteed

This latest helm from the rising Duplass Brothers (also known for Jeff Who Lives at Home), is a half zany dark comedy and half sci-fiesque fairy tale. We follow Darius (played by the hilarious Aubrey Plaza), who is an intern at a magazine in Seattle. Her supervisor, Jeff, finds a story in a town called Ocean Shores, Washington, about a man who places a classified ad saying he can travel back in time, and he needs a partner to do it. So the ragtag group of Darius, Jeff, and another intern, Arnau, head to Ocean Shores in order to get a story. When they arrive, Darius meets the man from the classifieds, Kenneth. He is a rather secluded character, who lives in a shack in the woods and works at a grocery store. Darius and Kenneth become friends, and Kenneth "trains" Darius to go back in time with him. Throughout the way, Jeff and Arnau try to find Jeff's old high school girlfriend (his only reason for coming to the town to start with), and to find a girl for Arnau. Darius also investigates Kenneth's past, and finds out some secrets and lies that he has been hiding. I won't spoil the ending (even though most of you won't see this anyway), but I beg that you please watch.

So everything about this film had an odd chemistry to it. It was like everything belonged, but in a somewhat weird way. The acting was spot on. Aubrey Plaza is amazing in anything she does, and she has amazing yet somewhat odd chemistry with her main co-star, Mark Duplass. The supporting performances of Jeff and Arnau are also funny, but it kind of seems like they are there just so Aubrey Plaza does not get all of the attention. The screenplay was well written, with many funny parts mixed in with drama scenes that work well in context. The small quaint town of Ocean Shores was also nicely shot, with a very "everybody knows everybody" feel. This film really makes you think about the future, while trying to reconnect with your past. Very underrated (because it isn't very mainstream), but definitely worth seeing.

Rating: B+

Movie Review: The Dark Knight Rises

This is the moment that everyone has been waiting for. After four long years of hush-hush secrets, teaser trailers, posters, and everything in-between, The Dark Knight has Risen. And Christopher Nolan has created a near flawless masterpiece that meets and exceeds fan expectations. We start with a snippet of Commissioner Gordon speaking at Harvey "Two-Face" Dent's funeral from The Dark Knight, after Batman has taken the fall for Dent's crimes. We then cut to eight years later. Our prologue resumes with a beautiful airplane escape sequence that gives us our first look at the menacing Bane. It is Harvey Dent Day in Gotham. The new Dent Law has put thousands of criminals behind bars, and Gotham is now virtually crime-free thanks to Dent's legacy. Bruce Wayne has been a social recluse, not coming out of his chambers for eight years, nor has Batman come out of the cave. Bruce then hears rumors of a "masked man" named Bane, who is beginning to run an underground crime operation in Gotham. He then decides to see if he still has it, and tries to don the Batsuit for the first time in eight years. We are introduced to a slew of new characters, including petty cat burglar Selina Kyle (never referenced as Catwoman in the movie), rookie cop John Blake, new Wayne Enterprises investor (and eventually CEO) Miranda Tate, and several other minor characters that fit into Bane's plan. Alfred and Lucius Fox return as Bruce Wayne's butler and technological advisor, respectively. So, Bane wreaks havoc on Gotham, turning it into a new "republic" where he is basically judge, jury, and executioner. He has created a nuclear bomb from an energy source that Wayne Enterprises had built, and threatens to detonate the city to finally purge Gotham of its corrupt injustice. Fitting to the theme of the film, Batman must "rise" several times, both literally and symbolically. I will not give any further plot detail. However, in its last hour, there are several plot twists and character revelations that really take the story further than anyone could have imagined. The ending of the film will have you on the edge of your seat, begging for more.

This film is, to say the least, a masterpiece. First, Christopher Nolan's direction is tremendous. He has a vision that I don't think any director in Hollywood today can match. He delivers a films that the fans wanted, that gives us closure, that throws us for a loop and then pulls us right back in. The look of the film was beautiful. From the gloomy streets of Gotham to the prison that Bruce is held in for a good portion of the movie. The soundtrack was as epic as the movie itself, with Hans Zimmer coming full circle, mixing snippets of previous Dark Knight soundtracks with new material (including the haunting "Rise" chant). The one complaint I did have was at times, the soundtrack got a little loud and boomy during dialogue, and it got a little hard to understand some of the characters at those moments. The Nolan Brothers, Christopher and Jonathan, who co-wrote the script, did a fantastic job at tying up everything that needed to be, bringing the whole story full circle. The striking allegories between some of America's current crises and Gotham was very well and subtly done. The performances in the movie were Oscar-worthy. Christian Bale delivers his best performance as Bruce Wayne and his alter-ego, providing raw emotion not seen in his previous renditions, especially in the movies third act. Anne Hathaway was the PERFECT choice to play Selina Kyle, and she delivers a beautiful (both physical and otherwise) performance. She looks great in her outfit. Tom Hardy was also perfect to play the physically brooding character Bane. He is the only villain in the series who is both a physical AND intellectual equal of Batman. He also provides a physical representation of one of the most iconic images from the Batman comics. His face is concealed by a mask that disperses pain medicine, due to an injury he suffered early in his origins. Without the medicine, he would be unable to function. Although Hardy's face is hidden with a mask, he does amazing things emotionally with just his eyes, showing through them some of the pain and suffering he has endured throughout his lifetime. His voice, in my opinion, was very well done. He has a very dark sarcastic voice of intelligence, which plays great with his character. He has an overall sense of doom and physicality throughout the movie, up until his last moments. Joseph Gordon-Levitt continues to define himself as a good actor as John Blake, an orphan who befriends Bruce Wayne and is integral in the plot of the movie. Marion Cotillard is striking and beautiful as Miranda Tate, who also provides a twist late in the movie. The returning characters are great as always. I was a little upset over the lack of Alfred in the film, though Michael Caine is great anytime he graces the screen, and provides some of the more subtle emotional punches throughout. Morgan Freeman is also good to see as Lucius Fox, providing some impressive new toys for Batman. And the master Gary Oldman is as good as ever as Commissioner Jim Gordon. And yes, there IS a cameo by Dr. Jonathan Crane, a.k.a. The Scarecrow from Batman Begins. The new Bat Gadgets were great. The "Bat", the flying hover pod type vehicle seen in the trailers was epic in every sense of the word, soaring through Gotham's streets and seemingly defying gravity. I just can't praise this movie enough. Christopher Nolan has taken the story full circle, tying up (almost) every loose end made throughout the series, and to quote Bruce Wayne, may not be the end that everyone wanted, but it is the end that everyone needed. His references to his previous Dark Knight movies was also smartly done ("I flipped a coin"). The movie is left open just enough for fans to want more, yet have a satisfying sense of closure. Nolan has redefined not just Batman, nor superheroes, but the entire film industry, proving that superheroes do not have to be campy, but can be serious and realistic. He has created a Batman that everyone can relate to. No other Batman film, nor will one ever, match what Nolan was able to accomplish. This is the motion picture event that everyone, superhero fan or not, needs to see. While Bane may not match the masterful performance of Heath Ledger as The Joker, the movie overall was better to me than The Dark Knight. If this isn't the superhero movie to win Best Picture, no superhero movie ever will. It was epic in every sense of the word, and a fitting, grand conclusion that every fan has dreamed of. The most amazing, large, grand scale, BEST, motion picture I have ever seen. Christopher Nolan, thank you. You not only matched fans expectations, you exceeded them.

Rating: A+++